MusicTech Rewinder - Issue #71

Happy Friday,

The World Intellectual Property Organization commissioned a Streaming Remuneration Report on the impact of streaming on "nonfeatured" artists and "featured artists".

This essay by Li Jin and Katie Parrott takes a really deep look on the legitimacy crisis in the creator economy.

And this case-study on Hic et Nunc by Bas Grasmayer explains really well how communities on web3 can bring platforms back to life if they get shut down.

Enjoy reading and have a fantastic weekend.

Cheers,

Matt

The investment that is pouring into music rights has exploded in recent years, hitting $10 billion at the time of writing and set to increase much further. Many rights acquisitions deals have been based…

Utopia COO Roberto Neri puts forward his case for an overhaul of how music creators earn and receive money…

Wednesday’s awards show reaffirmed Nashville’s commitment to dollars over decency.

Index statutory mechanical royalties before inflation hits.

At MIDiA, we spend a lot of time exploring the fan economy and how new forms of fandom are redefining media businesses. The most significant underlying dynamic is the fragmentation of fandom: ...

In December 2021, Water & Music will be launching $STREAM, a research token designed to incentivize, credit, and reward collaborative knowledge-sharing in music, tech, and entertainment.

CEO Jack Conte confirms to The Verge that Patreon is building a video product that’ll allow people to host their videos on the platform. He’s also launching a podcast called The Creator Economy.

An integral part of Frank Zappa’s band the Mothers of Invention, Ruth Underwood stayed mostly in the background on stage and in the studio, filling the sound with her indispensable contributions on marimba, harp, xylophone, vibraphone, and drums.

Columnist Eamonn Forde's 12-point checklist to fix the vinyl backlog…

TIDAL makes raft of announcements around membership tiers and artist payments…

Competing Apes Could Spell Trouble For Major Label Crypto Plans