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- MusicTech Rewinder - Issue #31
MusicTech Rewinder - Issue #31
ENJOY READING AND HAVE A FANTASTIC WEEKEND!
Cheers,
Matt
There's Bandcamp, beloved by artists. There's Spotify, very well-liked by listeners. And then there's that big question mark. The artist Damon Krukowski takes a look.
‘All music creators should receive fair compensation for their work, regardless of where they are from.’ — www.musicbusinessworldwide.com
SoundExchange President & CEO Michael Huppe on the treatment of American recordings and artists overseas…
The Pandemic Has Changed the Music Industry Forever. Meet the LA Music-Tech Startups Poised to Reshape It. — dot.la
The pandemic has quieted the music industry, but a handful of Los Angeles-based tech startups are poised to keep up the melody — providing musicians everything from socially-distanced collaborative recording to back-office accounting — and bring new energy and innovation to an industry in need.
TikTok inks deal with UnitedMasters that lets users distribute music to streaming platforms directly from Bytedance’s app — www.musicbusinessworldwide.com
TikTok will also partner with UnitedMasters in promoting key artists on the platform…
As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after the pandemic. DJ Mag looks at different projects that are taking bold steps to reimagine how dance music can work for everyone
Why Music Metadata Should Be Done First, Not Last, In the Recording Process — www.digitalmusicnews.com
Artists lose millions of dollars because of bad music metadata. VEVA Sound is shifting metadata entry to the front of the recording process.
As music streaming continues to grow, there are a few trends and opportunities that marketers should look out for.
What BITKRAFT's recent investments suggest about music's future and the metaverse — www.musicxtechxfuture.com
Forget the usual suspects: venture capital firm BITKRAFT is easily one of the most interesting funds to watch in the entertainment space. Since the start of
Hundreds of artists are now earning $100k+ per year from streaming via Kobalt’s AWAL - Music Business Worldwide — www.musicbusinessworldwide.com
Willard Ahdritz says indie artists today can "Get rich… and not die trying"
Music Livestream Audience Is Now Bigger Than For Podcasts says New MusicWatch Study — www.hypebot.com
Industry analysts MusicWatch has just released a series of music lives stream reports that show meteoric growth in a format that was barely on anyone’s radar just 6 months ago.. Continue reading