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- MusicTech Rewinder - Issue #26
MusicTech Rewinder - Issue #26
ENJOY READING AND HAVE A FANTASTIC WEEKEND!
Scientific American is the essential guide to the most awe-inspiring advances in science and technology, explaining how they change our understanding of the world and shape our lives.
Algoriddim's djay Pro AI Harnesses Apple's Bionic Chip For Human Brain-like Processing — www.hypebot.com
The update makes djay Pro AI the first music app to fully leverage the Apple Bionic chip for real-time playback.
Atlanta-Based Music App Deepr Highlights Importance of Black-Owned Music Tech During Black Music Month — hypepotamus.com
Deepr cofounders Austin Webster and Darrell Thompson talk about their song-creator-focused music discovery app and why it matters this Black Music Month.
Penny Fractions - Hello, folks! Thank you for all the kind words, as I took a little time off to recuperate from protesting the last couple of weeks. This week’s
Time sews wisdom from observation. I’ve studied and worked in the music industry — especially the digital sector — for more than 14 years. Obviously, a lot has changed. But some things have not. It…
While doing some research on the Chinese streaming market I came across this fantastic UX tear down of Xiami Music. I recommend you read it in full.
Tencent’s combined $200 million investment in WMG follows on the heels of its $3.6 billion joint investment in Universal Music. It is hardly Tencent’s first investments in music, having spent $6.2 billion on music investments since 2016. But music is just one part of a much larger, supremely bold and undoubtedly disruptive strategy
The coronavirus pandemic has created a rare opportunity for Live Nation to push through long-term changes to how it compensates artists who play festivals like Lollapalooza, Austin City Limits and Bottle Rock.
A handful of electronic music industry professionals have debuted a service for which there’s a clear-cut market during COVID-19 quarantines. On Now TV offers a variety of services geared towards live stream viewers and curators.
How is the besieged music industry coping with the prospect of long-distance entertainment?